Posted elsewhere, repeated here: twang.

Thank you Jimmy Purkey for introducing me to both Aesop Rock and Brother Ali. Years ago I used to be one of those musically uppity/self righteous people who’d day the thing about liking all kinds of music except for twangy country* and rap.

Turns out that’s not the case.

There are genres I don’t dig, but there’s so much more I *love* than I realized because I had my assumptions and wasn’t consciously open to hearing more about it. Because human. Which so often translates to silly, but also translates to capable of delight.

What I (think I) know now is that I love most kinds of music especially where people are openly sharing their truth in a way that, consciously or otherwise, is aimed at uplifting and expanding the consciousness and connectedness of humanity, (and/or sounds fucking awesome.)

Anyhoo. Much appreciation, and someday maybe there’ll be words about the bridge bonding metaphors woven through these kinds of things.

How artists are points of coalescence between the mundane and the divine.

They can be wayfinders, though the strongest of those aren’t *usually* the ones who end up being mainstream/commercially popular.
Shushing now ~ and sharing the love. ❤

Addendum: Back to the “twangy” thing. Twangy drives me up a wall. It’s probably nothing to do with the actual soundwaves but rather every associated negative metaphor rolled up into one little element but still. Not a fan of the twang.

Twang is offset a lot ~ not enough, but a lot ~ by lyrics, and vibe.

Like Dave Carter’s prophetic When I Go (https://youtu.be/uZk1CvsDSZc), or Gentle Solder of My Soul (https://youtu.be/_a-qgq9QWgU), etc. Or the spirit of a thing, like Big Crow Medicine Show’s I Hear Them All (https://youtu.be/ug7IgB8MfWE), Willie Nelson’s Write Your Own Songs — that kinda thing.

Not that it needed any clarification but damn near every time I type the word “twangy” I’m likely to get at least a couple of these stuck in my head until I listen them out, so yay youtubes and yammering 🙂

Biggest culprit? This one right here.

(Though I swear to all that is holy ~ which is everything ~ if ever I have the resources to do so I will commission covers of this particular song in styles that have ZERO freaking twang, lol!)

Alive, precious and sacred

Here, have a delightful clip from Russell Brand’s podcast Under the Skin where he talks with Charles Eisenstein, author of Sacred Economics about the impact of a reductive climate change narrative, power dynamics, and moving away from the qualitative mindset [the economic metanarrative] and being initiated into a new kind of relationship with Earth [such as a community metanarrative in which all life systems are recognized as alive and possessing inherent value.]

Also, have some miscellaneous commentary and reactions, from me, a ridiculous fangirl of both of these wise hearts and fine minds:

02:02: I ferociously adore that tattoo.

Here’s to a society in which we are more inclined to appreciate and delight in the variety of expressions of the divine and in which the exploration of different spiritual paths has been normalized, rather than seeing/using organized religion as a tool for “othering” and whatnot. (Because at the heart of things, there is no them.)

02:08: The baby I held at the blueberry farm when the Eisenstein family came to visit is a five year old. That’s.. so odd. Time is zany, man.

02:18: “a reductionism that also has us has us reduce the living complexity to a single cause” YES!! THANK YOU. Yes!

We have a monoculture of myth in our society. Our attention/entertainment industry is designed in a way that continues to amplify this, to the detriment of our collective ability to conceive of anything different, much less envision better (or even arguably, more realistic given the kinds of resources we have that have never before existed in human history.)

Although cracks have been forming and light has been pouring through in the form of transformative narratives like Moana, The Book of Life, etc. It’s kind of beautiful that kids’ movies are leading the way. Something something metaphor.

03:24: <3<3<3
Russell: “What advantage does the climate change narrative give the powerful that is not in the deforestation and habitat destruction narrative in order for the climate change narrative to be favored?”

Charles: “It lends itself to quantitative solutions that you can make money off of.”

03:55: THIS. This this this THIS. (Say it with me, kids: read Doughnut Economics)

“The numbers look good. The metrics look good. But what’s happening on the ground is subsistence peasants are being forced out of their traditional lifestyles, pristine ecosystems are being leveled to plant fast-growing trees, communal land holdings are being converted into titled property, indigenous people are getting evicted from their land. When things get monetized and reduced to a number, the things that you cannot reduce to a number get left out.

05:59: ALL OF THIS. “..the alternative narrative that I like to work with which is the living Earth narrative, which says that Earth is alive. That its health depends on the health of its organs and tissues. And what are those?

Those are the forests, the wetlands, the seagrass meadows, the mangroves, the elephants, the whales, the fish, the corals, everything that is destroyed by development is necessary.

If you are in the carbon mind frame, then even if you value a forest for its carbon storage and sequestration, once you’ve reduced it to that number, you could cut it down if there’s, say, gold to mine underneath it or oil, and plant another forest somewhere else to make up for it.

Because it’s just the numbers, right? Or you could cut it down but install lots of solar panels to offset that carbon.

We’re not treating Earth as alive, and precious and sacred, by operating in that quantitative mindset.

And I don’t think that’s a big enough revolution. We are being initiated into a new kind of relationship to Earth. Not initiated into ‘let’s be a little bit more clever in working the numbers.’”

Sure, the turnips are a thing, but also…

It comes up in conversation periodically, and it can get pretty confusing when one person is talking only about agriculture, and another person is speaking about all interconnected systems.

So here — when someone says “permaculture,” these two very short videos will give you a good, general overview of what they could be talking about. In addition to turnips.

 

 

Poolside Podcast York

So the other day (week? Jebus time goes fast) I had the good fortune to sit down with Jonathan Smith, the lovely and talented host of Poolside Podcast York, to talk about the new Dr Sketchy’s branch in York (every 2nd friday of the month at Parliament.)

Which I did for maybe two minutes before doing that diverging tangents thing I tend to do, and we ended up talking about almost everything else under the sun.

Jonathan is a delightful host, the podcast is highly enjoyable, the goal is admirable (to shine a light on creatives and nifty humans doing cool stuff in York that might otherwise go unnoticed) and if you have any interest in the episode I was on, you can check it out here: Episode 33 (love those double numbers!)

We touched on so many subjects briefly  that I felt like I should share some more info and links and maybe some photos.

Sketchy-11-17-IMG_3334Valeria Voxx, the brilliant burlesque performer and model extraordinaire who graced our first, awkward but earnest Dr Sketchy’s York branch debut at Parliament, can be seen making things happen at Dr Sketchy’s Baltimore at The Windup Space the first monday of every month. (Really, she’s an amazing performer, stellar model, and fabulous human being.)

DSC_0263-L-L

Valeria Voxx at one of the creative get-togethers mentioned in the podcast.

Rory the rooster was mentioned in there, so here are a couple of shots of him in all his pre-egg-eating glory:

 

I mentioned the farm a few times, and how beautiful it was, so here is a smattering of photos, none of which capture a quarter of its beauty:

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I mentioned hugelkultur, and here are a few good introductory bits about it:
Hugelkultur benefits article in Permaculture Magazine and a good how-to article in the same source.  Paul Wheaton’s intro to hugelkultur article on RichSoil  (the video in the article is here, in case you didn’t scroll all the way down.) And here’s a quick clip of my little hugelkultur experiment, which was delightful.

I think I mentioned that Permies.com is an excellent resource for all things permaculture, and I highly, highly recommend checking out almost anything Sepp Holzer has done, starting with his book Sepp Holzer Permaculture, or the many videos about the Krameterhof and his other projects on the youtubes. Acres USA is also a good source for permaculture and other sustainable/regenerative farming methods, and their Acres USA Primer oughta be required reading.

(Sepp Holzer and Paul Wheaton should really be household names, and then folks could stop flipping out about this whole “feeding the world” thing.)
I mentioned the Penn Street Art Bridge, and below are a few photos — go check it out, and if you’d like to get involved in any of the projects the York Time Bank is cooking up, just join/sign up (be sure to verify your email address please and thank you!!)

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I mentioned my colorful ancestor Augustine Hermann, and the Susquehannock Indian fort in York that was on the map he made in the 1600s. (I also mentioned an ancestor from Ireland who moved to York, but finding her in my MyHeritage family tree was taking more than a couple of minutes.)

Hermann-map-SusquehanaIndianFort

We touched super-briefly on the Susquehanna River being one of the oldest rivers on the planet, which I think is amazing and magical and we should really be working towards being better stewards of the water.

Geologically, the river is extremely ancient, often regarded as the oldest or second oldest major system in the world. It is far older than the mountain ridges through which it turns, most of which were formed in uplift events of the early Cenozoic era. Like the Hudson, Delaware and Potomac rivers, the basin was well-established in the flat plains that existed during the Mesozoic era.

There is evidence that the flow of the ancient Susquehanna was established early enough that it predated the Appalachian orogeny over 300 million years ago, meaning that the river was in existence well before Pangea broke up and formed the Atlantic Ocean.
[source]

 

There was talk about how we like to think that we’re logical but we’re really just big balls of feels, and copping to that could ironically help us be more logical.

There was brief discussion of Lillie Bell Allen, and how as a society we would benefit from acknowledging injustices and unhealed wounds.

I mentioned a Community Land Trust, and if the concept is new to you you should totally read up on it.

We said stuff about how there are converging macro trends — mainly associated with AI and 3D manufacturing but also transportation — that are going to obliterate millions of jobs (seriously, like 50% of all jobs, y’all) and that UBI is going to be super important so we should really be experimenting with it. (Elon Musk agrees!)

The phrase “regulatory capture” was used, and if that’s new to you and especially if you’re in America or the UK, you should read up on it because it’s kind of an enormous deal.

A bunch of books were recommended — Happy City, The Geography of Genius, Sepp Holzer’s Permaculture, Mycellium Running, Smart Swarm, Restoration Agriculture, and.. hm, I can’t remember what else. Check out The Great Good Place, Cognitive Surplus, and Bold, too.

We also talked about the York Time Bank, a local alternative currency in which time replaces money, and if you like the idea that our economy could be less toxic and more sustainable you might enjoy Sacred Economics by Charles Eisenstein. And this TEDx talk from Black Rock City a few years ago about the Woergl Experiment.

I can’t remember if we talked about UpCollective, or Gratitude Gatherings, or a dozen other things going on, but we covered a pretty broad territory. You should check it out. Or any of the other episodes, which are proving to be good listenin’ — here’s to smart, kind and funny folks lifting people up and just generally making York even more sparkly and magnificent. It’s a real treat to have been on Poolside Podcast.

(And I have even more respect and appreciation for the kinds of folks who “link info below” when they do videos or posts and whatnot because omg how do you keep track of it all!)

 

 

 

 

Don’t wait. Do it now.

“Here’s how I think it works. Each one of us is born carrying a Silver Thread that runs from our life straight back to the heart of our Creator.

No one has ever carried that particular thread before, and no one will ever carry that particular thread again. Only you will ever carry your thread, only I will ever carry mine.

These threads are what weave this huge, timeless tapestry we’re part of, far too great for us to perceive while we’re walking the Earth.

We can’t even look an inch to the left and say, “That person is not weaving fast enough,” or to the right and say, “That person is not weaving evenly.” The only thread we can weave with is our own.

Some of your ancestors’ threads are woven into yours, those with whom you have some particular affiliation. Different ancestors must work with different people in the same family — otherwise, siblings would be much more alike than they are.

As you come to know those ancestors, you can understand more about what you came here to do. This understanding is more of the Heart than of the Mind. Do the Work and trust the Process.

If we wait to do everything until we know what it is, non of us would ever have learned to walk.”

Worth Cooley-Prost, artist & activist

 

Starry-eyed

EnteringDreamland

Entering Dreamland by Catrin Welz-Stein

Astrological charts came up recently, and it reminded me of the vocational chart reading I got from Astrodienst a couple of years back.

If you’re poking around this site to learn more about who I am as a human, you may find this useful because yeah, it’s pretty much on the nose.

If you’re someone who’s trying to figure out your greater purpose in life, I highly recommend getting a vocational chart of your own done because it could provide useful insight. At worst, it can help you figure out what not to do, and sometimes that’s enough.

Art, Music, Tea, Monsters

Here are the the tea blends and relevant songs that were a part of March’s Sound & Vision opening at Hiveartspace in York:  (you can get your own pouches and tins of the tea blends from Adagio, and 5% of each blend goes to support the ACLU.)

whatswithscreaming-tea-labelThe What’s With All The Screaming blend was inspired by Jonathan Coulton’s Skullcrusher Mountain — yet another catchy tune about a mad scientist in love.

“I made this half-pony, half-monkey monster to please you / But I get the feeling that you don’t like it / What’s with all the screaming? / You like monkeys, you like ponies / Maybe you don’t like monsters so much / Maybe I used too many monkeys / Isn’t it enough to know that I ruined a pony making a gift for you?”

Whats-With-All-The-Screaming-web.jpgThe PonyMonkeyMonster collage in the show goes with this tea because it goes with the song. (It’s my very first but probably not last PonyMonkeyMonster! There’s a part of me that wants very much to make a Concrete Cuddler that’s also a PonyMonkeyMonster, but it’s not likely to happen this week.)

Moving on!

 

forgetyourperfectoffering_tealabel Forget Your Perfect Offering blend was inspired by lyrics in Leonard Cohen’s song Anthem. You probably know the ones: “Ring the bells that still can ring / forget your perfect offering / There is a crack in everything / that’s how the light gets in.”

(There’s another Leonard Cohen-inspired blend called A Thousand Kisses Deep, as well, but that one wasn’t one of the blend samples handed out at the show.) (Or maybe it was and they just got scooped up so fast I didn’t see them — that’d be pretty cool.)

pirinzalag-tea-label Pirin Zalag was inspired by Dave Carter and Tracy Grammer’s song The Mountain, which is all kinds of super special to me.

I won’t go into why because it’s kind of an intense story for a conversation about tea, but Pirin Zalag comes from the Sumerian chant that Dave sings in the background of the song, and it means Forest of Light, which gives me goosebumps.  The song is beautiful and the tea doesn’t suck.

Then there’s Squirrelly Spice, inspired by the band The Squirrel Nut Zippers.

squirrelly-tea-label

And Nesatovo, inspired by the song of the same name by the group Beats Antique.

nesatovo-tea-label

Then comes Wildflowers, inspired by Dolly Parton’s song Wildflower. (Yes, technically there are three artists on this track from the Trio album but it’s totally a Saint Dolly song.)

wildflowers-tea-label

once-more-with-feeling-tea-labelAnd finally Once More With Feeling, which of course is inspired by the whole Buffy soundtrack rather than just the song.

The painful label design comes straight from the CD design, which I had for the longest time. It’s been years and years, but once in a blue moon there’s still some breaking into song around a certain group of friends. Because yep. That warrants a tea, for sure.

 

What he said.

waterislifewhitebuffaloThis essay by Charles Eisenstein is so good.  I had to share it if only to say: what he said.

Here’s to ferocious peace, man.

“Writ large, the situation at Standing Rock is the situation of our whole planet: everywhere, dominating forces seek to exploit what remains of the treasures of earth and sea.

They cannot be defeated by force.

We must instead invite a change of heart by being in a place of heartfulness ourselves – of courage, empathy, and compassion.

If the Water Protectors at Standing Rock can stay strong in that invitation, they will demonstrate an unstoppable power and win a miraculous victory, inspiring the rest of us to follow their example.”